|But there is more to the secret of the Sphinx merely telling us that all the pyramids reproduce a string of constellations. It is also the key to deciphering the pyramid mystery itself. It is showing the observer where to begin in cracking the mystery of the star map, urging one to follow the three star alignment direction of Orion’s ‘belt’ as a ‘cosmic signpost’ to what seems to be the ultimate star.
Herschel’s idea that the whole pyramid field in Lower Egypt represents stars was inspired by one of the oldest known prophecies. The mystic Hermes Trismegistus. claimed:
“Egypt is an image of the heavens… the ‘whole’ cosmos dwells here.
“Herschel subsequently conducted an experiment to prove all the pyramids in Lower Egypt represent stars. He overlaid a transparency of the stars onto a map of the pyramids. The result was breathtaking. All the brightest stars within the known constellations were represented in one complete 360 degree ring along side the Milky Way (which is also a ring around the Earth). All the brightest stars had all the pyramid counterparts on the ground. The star map started with the brightest star in the night sky Sirius… logical to start with one could say… and it has one star that is different to all the other 49 bright stars in the complete star map. It has this unique star set at the exact centre of the pyramid field… is this the ‘x’ that marks the spot? Logic again would suggest!
|However, there were some important stars for which pyramids were apparently missing. In Giza for example, Herschel found four potential, as yet unrecognised pyramid ruins on an antique early map that would conclude a previously incomplete Orion interpretation at Giza.
For the full story on this ‘New Orion interpretation’ and the comparison to Robert Bauval’s original Orion interpretation… Click here.
One finding would lead to another. Not only were his new correlations ‘mirror images’, but the pyramids were virtually divided into two separate layout scales on each side of the area of Abusir, thus providing another clue. It seems the Solar Temple obelisk was intentionally placed exactly at the epicentre of the pyramid field. What could this mean?
The giant obelisk was most likely the only ever gold capped monument. Perhaps to highlight that it was more important than any other. At last the meaning of the star map becomes clear.
Do we have the proverbial ‘x’ that marks the spot?
Does it provide the reason that would have prompted the ancients to design their star map using giant structures in the first place? One thing is certain, the star seems to be of paramount importance as the place in the heavens that the three Orion ‘belt’ stars align with.
|Both halves of the star map (the two large images) are shown here as well as a zoom in on the Saqqara area with its real ‘fly over’ image. There are two independent layout scales on each side of the Sun Temple ‘x’ that marks the spot, located at the exact centre of the pyramid field. it is as if the ancients are saying as they do in all their ancient murals … “look at the centre of the murals to see that which is most important. They did it with the Zodiac disc at Dendera.. they did it in the Senmut tomb… they did it in every important depiction involving the secrets of their star gods! The author is convinced that the reason for the pyramid star map was to isolate the ‘star of the gods’. He believes it presents a whole new theory of who we are and where we come from.
To add fuel to the fire, Herschel believes that he has found evidence of a repeating geometric blueprint of the human form within other ancient pyramid and megalithic star map representations found across the globe.
The geometric blueprint is unique only to the human form and is identical to the original geometric man codex documented by a Roman engineer and writer, Marcus Vitruvius, who lived 25 years before the birth of Christ.
Leonardo Da Vinci has acceded to fame for his Vitruvian man, however few realise he reproduced it from an ancient manuscript. Da Vinci did not show the raised arms as you see here, but chose to reposition the arms where the square touches the circle.
He may have chosen to depict his version like he did to avoid the same fate that the German scholar, Agrippa (who lived at the same time as Da Vinci), faced for duplicating Vitruvius’ work as seen in the image above. Agrippa died a horrific death. He was burned at the stake.
Without digressing too much, it is worth considering a few very important ‘what if’ scenarios.
One would naturally expect that if the star maps are true then why doesn’t the Christ story mention it?
If what was encapsulated in the representation of the human form by Agrippa and Da Vinci had relevance to these star maps, why did Christ make no mention of this? It is indeed a very sensitive question and is currently open to debate on the author’s website. There are many sources of early translations of the gospels that include references to the star associated with Christ’s birth and other stars, such as Orion and the Pleiades. There is also a lot more being debated than this.
For starters, the meaning of ‘Sang-real’ has been rumoured to mean ‘sacred lineage’.
What if the Holy Grail is real and contains an inscribed record of who we are and where we come? For arguments sake let us assume that it does. What if the ultimate secret was given to Judas by Christ (as the Judas codex seems to suggest) on a beautiful metal plate that was uniquely inscribed? (Wayne Herschel has a strong feeling that in Renaissance art this metal plate is shown symbolically behind Christ’s head). If one refers to the recently discovered Judas gospel, one could even conclude that there is a chance Judas may have been captured by the Roman authorities with this artefact that was to become known as the grail in his possession. An artefact that had inscribed on it detail of humanity’s lineage. for more, click the Grail link on the home page carousel.
If this hypothetical scenario does indeed prove to be true, then one would have to ask whether the Roman authorities murdered him to cover up the existence of this amazing artefact, and more specifically its contents.
Perhaps we are approaching a new renaissance age in which humankind will begin to question its true origins? It seems likely now that Vitruvius was not the first person to portray the human form in this unique way.
In his book, ‘The Hidden Records’, Herschel goes to great lengths in detailing the snowball effect of his story. He claims confidently that the geometry of the human blueprint is a code that fits accurately into the layout at Giza, as well as that of Stonehenge, and last but not least in the layout of the most controversial place of all. In the layout of what are perceived to be pyramids in an area researchers call ‘Cydonia’.
In later years it appears this geometry of the ‘human code’ was also encrypted in the paintings of Leonardo Da Vinci and of his contemporary, Nicolas Poussin.
It may sound completely fabricated and fictional having such a vast collection of coincidences here, but in light of the importance of the claims, the author has made his fundamental research freely available for all to see. The human codex research, Renaissance paintings and star map images are now available at thehiddenrecords.com website.
In summary, the author believes that by encrypting the human form in ancient pyramid star maps in this unique way (a code that later made its reappearance in the paintings of the Renaissance era) the ancients appear to show us that the human lineage is ‘divine’ so to speak and from above.
Coincidently the recent Judas gospel codex discovery makes another earth shattering claim, the significance of which seems to have eluded most observers. Christ beckons Judas to look at the night sky and says to him:
“Follow the star above… it is also your star”.
If the star maps are truly genuine, surely someone with a mission as unique as that of Christ would have wanted to pass on to humanity this extraordinary piece of knowledge, even if it was not ready for his time. He probably would want it to be revealed in the future at a time when it was safer to debate such a ‘provocative’ version of humankind’s genesis.
In time, the star maps and human code theory may well challenge the mystery of the ‘missing link’, which academics on evolution are still grappling with to this very day. Perhaps human beings evolved elsewhere in our vast universe, replacing Neanderthal after arriving here on Earth.
The author has taken his Egyptian star chart template and has tested it on Stonehenge in the UK, Angkor in Cambodia, Tikal in Guatemala and on a nearby planet rumoured to have pyramid ruins. The results delineated on the internet and in great detail in his book speak for themselves.
So… at the end of the day, what does all this new material offer humanity?
A clear message is decipherable in three of the most conclusive cases of the star maps. They all appear to display the unique human blueprint geometry code. A pictographic story can be interpreted in relation to the star pattern.
Herschel believes its meaning is paramount in uniting all of humanity as one if the star map ‘message’ is true. Once we step back and review the original sources of great teachings from those that came from above, the truth emerges. It speaks clearly of the place of Creation of the universe, which has been told to humanity in many different lands, and sadly it has ‘evolved’ in every case, into very disparate interpretations that we call ‘religion’.
The original sources of sacred texts must be given priority for true meaning. It is here where we have the chance of uniting humanity in one truth and understanding of a gentle Creator of the universe who has given us the gift of life. Our confusion about what we believe is fast manifesting itself in an ugly religious war that is playing out right now. Is it a coincidence that for the first time ever missiles are landing at a historical site near the northern boarder of Israel known as the valley of Meggiddo? It is here that prophecy has written where we will fight our last war.
If there is just a hint of truth in Wayne Herschel’s collection of ancient star maps and his theory on the human blueprint, it should be reason enough for scholars to test it.
And if there is one crucial question that still remains unanswered it has to be: Who is the cosmic message intended for?
Why on earth is the grand secret represented with such massive constructions and pointing skywards?
Why can it only be deciphered completely, when it is viewed from a satellite?